Digital musicology 1

The purpose of the course is to present computer-assisted music research both in the field of humanities and social as well as natural science disciplines. It offers an overview on the history, theory, methodology and practice of computer-aided music analysis.
Students encounter digital content practically everywhere. However, the subject systematically summarizes the main issues of computer-assisted music processing and highlights the fundamental problems associated with it, technical, practical and ethical. It includes contents from historical and systematic ethno/musicology.
The topics and individual tasks change with each implementation of the course. Individual seminar assignments will be carried out in the form of individual work with a single-subject student and will bring 1 CT more.

Stefanija, L. (2023). Musikalischer Stilbegriff im Zeitalter des Internets. In: Knaus, K., Kogler, S. (eds) Musik – Politik – Gesellschaft. J.B. Metzler, Berlin, Heidelberg. https://doi.org/10.1007/978-3-662-66797-2_17
Leon Stefanija, Vanessa Nina Borsan, Matija Marolt, Matevž Pesek. History and challenges of digital musicology in Slovenia. Musicology and its future in times of crisis, 2020, Zagreb, Croatia. pp.161-179. ffhal-0395337. https://hal.science/hal-03953376/file/Digital-Musicology-Slovenia.pdf
Kijas, Anna E. Digital Humanities in Music. Music Reference Services Quarterly, Volume 20, Issue 3-4 (2017).
Schüler, Nico. "Reflections on the history of computer-assisted music analysis I." Muzikološki zbornik letnik 41. številka 1 (2005) str. 31-43. http://www.dlib.si/?URN=URN:NBN:SI:DOC-F7BT1BTS
Schüler, Nico. "Reflections on the history of computer-assisted music analysis II." Muzikološki zbornik letnik 42. številka 1 (2006) str. 5-24. http://www.dlib.si/?URN=URN:NBN:SI:doc-C8VVWOR7