Special Topics in Museology II: Heritage as a means of transmitting information
Lectures: 40
Seminars: 20
Tutorials: 0
ECTS credit: 5
Lecturer(s): doc. dr. Mahnič Katja
Lectures will be dedicated to the heritage building as a means of providing information. Special attention will be paid to the museum exhibition, in which we create stories about the past by selecting objects, their mutual contextualisation and thoughtful placement in space. We will deal with some key concepts of modern museum theory: we will treat the museum space as a place where time condenses, we will talk about narrative topology, ie how we can create a narrative in the context of moving through a museum exhibition, and engaged in the process of constant signification - its feasibility, advantages and disadvantages - within the museum exhibition. Therefore, special attention will be paid to the museum management. During the seminar, we will discuss several foreign and domestic examples, with the help of which we will try to present the heritage object in a tangible way as a means of providing information. Examples will be presented in the form of classic presentations with pictorial material, films and visits to selected museums and heritage sites. As part of the independent seminar work, participants will jointly prepare a proposal for a museum presentation: they will choose the topic of the presentation, objects included in it, and will formulate a proposal for setting up a museum presentation and the content of messages to be sent to its visitors. The seminar will end with a joint presentation of the presentation design.interpretation of the heritage;heritage and identity.
• Svetlana Alpers: The Museum as a Way of Seeing, v: Ivan Karp, Steven D. Lavine (ed.): Exhibiting Cultures. The Poetics and Politics of Museum Display, London and Washington: Smithsonian Institution Press, 1991, str. 25-32. COBISS.SI-ID - 512130346
• Mieke Bal: Telling Objects. A Narrative Perspective on Collecting, v: Donald Preziosi, Claire Farago (ed.): Grasping the World. The Idea of the Museum, Aldershot, GB, Burlington, VT: Ashgate, 2004, str. 123-145. COBISS.SI-ID - 513038975
• Stephen Bann: Art History and Museums, v: Mark A. Cheetham, Michael Ann Holly, Keith Moxey (ed.): The Subjects of Art History. Historical Objects in Contemporary Perspectives, Cambridge: Cambridge University Press, 1998, str. 237-244. COBISS.SI-ID - 1285742
• Michael Baxandall: Exhibiting Intention: Some Preconditions of the Visual Display of Culturally Purposeful Objects, v: Ivan Karp, Steven D. Lavine (ed.): Exhibiting Cultures. The Poetics and Politics of Museum Display, London and Washington: Smithsonian Institution Press, 1991, str. 33-41. COBISS.SI-ID - 512130346
• Wolfgang Ernst: Frames at Work. Museological Imagination and Historical Discourse in Neoclassical Britain, The Art Bulletin, Vol. 75, No. 3, 1993, str. 481-498. COBISS.SI-ID - 4178442
• Wolfgang Ernst: Framing the Fragment. Archaeology, Art, Museum, v: Paul Duro (ed.): The Rhetoric of the Frame. Essays on the Boundaries of the Artwork, Cambridge: Cambridge University Press, 1996, str. 111-135. COBISS.SI-ID - 869742
• Anne Higonnet: Museum Sight, v: Andrew McClellan (ed.): Art and its Publics. Museum Studies at the Millenium, Malden, Oxford, Carlton: Blackwell Publishing, 2003, str. 133-147. COBISS.SI-ID - 9347145
• Charlotte Klonk, Mounting Vision. Charles Eastlake and the National Gallery of London, The Art Bulletin, Vol. 82, No. 2, 2000, str. 331-347. COBISS.SI-ID - 4178442
• Charlotte Klonk: Patterns of Attention. From Shop Windows to Gallery Rooms in Early Twentieth-Century Berlin, Art History, Vol 28, No. 4, 2005, str. 468-496. COBISS.SI-ID - 513486719
• Gerald McMaster: Museums and Galleries as Site for Artistic Intervention, v: Mark A. Cheetham, Michael Ann Holly, Keith Moxey (ed.): The Subjects of Art History. Historical Objects in Contemporary Perspectives, Cambridge: Cambridge University Press, 1998, str. 250-261. COBISS.SI-ID - 1285742
• Donald Preziosi, Brain of the Eart’s Body. Museums and the Framing of Modernity, v: Paul Duro (ed.): The Rhetoric of the Frame. Essays on the Boundaries of the Artwork, Cambridge: Cambridge University Press, 1996, str. 96-110. COBISS.SI-ID - 869742
• Danielle Rice: Museums. Theory, Practice, and Illusion, v: Andrew McClellan (ed.): Art and its Publics. Museum Studies at the Millenium, Malden, Oxford, Carlton: Blackwell Publishing, 2003, str. 77-84. COBISS.SI-ID - 9347145
• Charles Saumarez Smith: Museums, Artefacts, and Meanings, v: Peter Vergo (ed.): The New Museology, London: Reaktion Books, 1989, str. 6-21. COBISS.SI-ID - 48269410
• Anthony Alan Shelton: Museum and Museum Displays, v: Chris Tilley, Webb Keane, Susanne Kücher, Mike Rowlands, Patricia Spyer (ed.): Handbook of Material Culture, Los Angeles, London, New Delhi, Singapore, Washington DC: Sage, 2006 (2013), str. 480-499. COBISS.SI-ID - 52293986